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F r o n t L i n e
ISO Space
by Victoria Nelson
Wow! Pinchas Zukerman is coming to U.Va.! And I can go see
him with ART$!!! Ah, the rapture of first-year naivete.
What disappointment I felt when I was informed that the
Tuesday Evening Concert Series tickets were sold out for
the next two years. Perhaps if Old Cabell Hall seated 8,000
rather than 800 I would've been able to attend that concert,
but, sadly, there is a great lack of space for audiences in
that lovely auditorium. In fact, there is a great lack of
space for the performers in Old Cabell, for the music
department in general, and for the fine and performing arts
at U.Va. as a whole. The music, art, and drama departments
are all afflicted by infrastructural woes. What exactly are
these woes, how can they best be alleviated, and what is
currently being considered to address them?
The music department has made some exciting expansions in
recent years. The Virginia Center for Computer Music
(VCCM), for example, is upgrading its facilities, but needs
more space for the ever-expanding list of interested
students. Recent faculty hires include a technical director
for the VCCM, an opera director, two ethnomusicologists, and
two performance faculty. There is an increased emphasis on
ethnomusicology for undergraduates, more courses on
creating music and learning how to be a music critic, a new
African Drumming and Dance Ensemble, and an opera workshop.
While new courses are being developed, there is less and
less space in which to teach them.
With these expansions, however, comes the need for more
classrooms, offices, and practice space. The music
department is in sore need of a new stage, as the current
stage cannot accomodate the larger ensembles required for
19th and 20th century symphonic works or even a large
choir. Nor is there an orchestra pit to allow for an opera
or oratorio. There are no changing rooms, no wings, no
backstage, and there is very limited seating. Furthermore,
there is no recital hall to fit in performances for the
some 300 students taking private lessons.
The atrocities of the studio art facilities are well known.
Perhaps less widely advertised are the spatial constraints
imposed on the Bayly Art Museum. At any one time, less than
five percent of the collections of the Bayly Art Museum are
on display. There are only 8,000 square feet that are
public, whereas ideally there would be about 70,000 square
feet. More room would give opportunity for showcasing a
greater percentage of the collections but would also allow
for installation of larger (especially modern) paintings
and sculptures. Furthermore, the climate control in the
present building is not adequate. To protect the collection
better and even to be accredited by the American Association
of Museums, the Bayly would need greater control over
humidity and temperature.
The Bayly Museum does an excellent job with what it has,
though, and, because of the lack of space, usually has at
least three temporary shows a year, some of it on loan. It
has a newly refurbished Iron Gate Study Gallery, a new
Asian Art Gallery, and some interesting educational
programs. The "Writer's Eye" competition is now in its
twelfth year and is designed to increase visual literacy
and writing skills in its participants, which include
members of the community as well as university students.
The Bayly Student Docents minister to the community, giving
tours to elementary-age children and senior citizens.
Incidentally, the museum also has a very interesting web
site with virtual tours of the
museum and its various exhibits.
The Culbreth Theatre was built in 1973. It is the newest of
all the arts facilities, yet the drama department is
outgrowing it rapidly. There is, of course, the need for
offices, classrooms, and more small performance space.
However, there is another need being created along with the
recently established Media Studies program. This program
will be supplemented by the now well-established Virginia
Film Festival, as well as the Virginia Film Society, the
Salmagundi Film Festival, the "Storming the Media"
filmmaking workshop, and a new student group called
OffScreen. There are plans for the Clemons Media Center
which will improve filmmaking, digital manipulation, and
would mean the installation of a TV production studio. But
with the new program will come new faculty and courses and
the need for another auditorium.
The absence of space has long been lamented by faculty and
was recently recognized and focused upon by the
administration. The building of new facilities for our
expanding arts programs was a main talking point of
President Casteen's University Address last spring. A team
of architects has been hired to draw up blueprints for an
"arts village" or Arts Precinct in the Carr's Hill/Rugby
Road area. These designs have not yet been made public,
largely because the funding for it has not yet been raised.
There is a great deal of speculation, however, as to what
could be accomplished with such a facility. Collaboration
between the various departments and programs is the first
thing that springs to mind. Wouldn't it be nice if the
drama and music departments could perform an opera
together? If studio artists could take part in designing
and implementing sets for theatre productions? If the jazz
ensemble played at the openings of new exhibitions at the
Bayly? Another academic benefit to this new space would be
extra seminar rooms and lecture spaces for further
integration of the arts into other areas of the schools, so
that a history class could listen to an example of period
music or an engineering class could see the visual
conception of a certain type of design.
The next big consideration is how this Arts Precinct could
increase community involvement with U.Va. Accessible
concerts and exhibitions might give Charlottesvillians a
reason to come see the university and appreciate some of
the benefits of hosting it. There is an absolute dearth of
parking and a new garage could be very tempting --
especially when it is right next to a performance space
that draws talented musicians, artists, actors, and
directors. It's much easier to lure guest artists when
there is adequate space to accomodate their needs, be it a
studio, classroom, or stage.
Finally, with the recent administrative emphasis on
alternatives to binge drinking, there is the idea that the
Precinct could become a center for student life. Fathom
drinking Greenberry's coffee amidst your fellow students'
photography and hearing strains of the Symphony rehearsing
while you study or converse. Or imagine an evening party
with peers and professors replete with refreshments and
entertainment in the expanded galleries of the Bayly. Or
consider a plenitude of interesting art and indie films in
a couple of different theatres, rather than just mainstream
blockbusters in Newcomb. They're all very attractive ideas.
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Victoria Nelson is a second-year cognitive science/philosophy double major who is decidedly Tory in her views.